Here. An excerpt:
I understand where this [1619] Project is coming from, politically and culturally. Of course, the economic well-being of the United States and the colonies that preceded it was constructed for over two-and-a-half centuries on the labor and sufferings of slaves; of course, like all entrenched wielders of power, the white political elite resisted efforts to yield up its privileges. But the idea that the 1619 Project’s lead essay is a rounded history of America—with relations between the races so stark and unyielding—I find quite shocking. I am troubled that this is designed to make its way into classrooms as the true story of the United States, because, as I say, it is so partial. It is also wrong in some fundamentals.
I’m all for recovering and celebrating the history of those whose voices have been historically muted and I certainly understand the concern of historians in recent times, black and white, that the black contribution to the United States has not been fully recognized. But the idea that the central, fundamental story of the United States is one of white racism and that black protest and rejection of white superiority has been the essential, indispensable driving force for change—which I take to be the central message of that lead essay—seems to me to be a preposterous and one-dimensional reading of the American past.
Q. I agree with everything you’ve said. There was a long period in American historiography in which the contributions of African-Americans were written out, and what prevailed was a basically false presentation in which the problems of slavery were obscured. But it seems the 1619 Project has simply put a minus sign where that earlier historiography, the Dunning School and so on, put a plus.
A. Yes. As an undergraduate at Oxford in the 1960s I was aware of work that brought a fresh and deeper understanding of African-American history. This was an era of breakthrough studies on slavery and anti-slavery, and “history from below” more widely, a development which chimed with so much of the best British radical and Marxist historiography. That was a stimulating time to be studying American history. As you say, African-American historiography has been transformed since then.
See especially the discussion that follows about the misrepresentation of Lincoln.
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